Debt Diaries #3: Riding the Waves of Variable Income

Debt Diaries #3: Riding the Waves of Variable Income

 

Current Debts:

Credit Card: -994.25
Bank Loan4,892.45

Current Debt Total: -5,886.70

So…I kind of feel like I’m crushing it right now. Not really because of anything I’ve been doing, but mainly because it feels like I’ve been really damn lucky. Since the last entry, I have killed 2,042.93 in debt. It’s been just over a month.

It’s been a wild ride. I know what you’re thinking: a variable income earner having ups and downs? No way!

But seriously. I settled an Employment Standards Act case with a previous employer and used half that money to pay down my credit card bill. I saved the other half to build myself a bit of a cushion. Then, I got fired from a serving job, booked a voice gig, got a sweet tax return, and contracted Hand, Foot, and Mouth disease. The last one has nothing to do with money, it just gives you an idea of the ups and downs I’ve been riding.

Some of these things are plannable, most are kooky dooky flukes. But I thought it might be useful to examine them to see which ones are repeatable or plannable.

  • Settling an Employment Standards Act violation out of court
    • This one isn’t really plannable, but I will say, when your (or other workers’) rights are being violated, speak the eff up. Even though it will certainly not guarantee financial gain, it will feel right.
    • Sidebar: if you feel you or your colleagues are having their rights violated, check out the ESA guide or speak to the Workers’ Action Centre or the Parkdale Community Legal Society. There are some badass folks at these organizations.
  • Getting fired.
    • I would say avoid this one…generally not great for income. But it does happen. And we, as variable income earners tend to have mega strong hustle. This one is easier if you have an Oh Shit! fund. I didn’t this time, so I called on my powers of hustle and networking to find extra gigs.
  • Booking a commercial voice gig
    • Oh man, if I could find a way to make this one a reliable source of income…well, that’s what I (and so many of you) are working on. Let’s just keep plugging away, folks.
  • Getting a sweet tax return/unlocking my tax savings
    • Finally, something that is actually plannable! I usually get a pretty sweet tax return because I’m meticulous about keeping my receipts. Also, as a financial literacy teacher/actor/writer/producer/server/French teacher/exercise teacher/childcare worker/administrator, you’d be hard pressed to find an expense in my life I can’t claim as a deduction. If you have questions about claiming deductions, check out this link. Save your itemized receipts, folks.
    • As for the tax savings, both Chris and I like to do what we call “fear saving” for taxes. Throughout the year, we set aside more than we need to on our self-employed income and put it in a taxes-only account. Once we have filed our taxes, there is usually money left over in this account that we now know we can use. Cha-Ching! To get an idea of what you might want to put away for taxes, check out this Simple Tax calculator:

Being self-employed is a bonkers journey, and we so many ups and downs. I’m still working towards regaining the sense of financial stability I had previously built for myself. But the waves will come, and when they do, our job is just to surf them, and plan as best as we can while we’re riding those gnarly A-Frames. This way, we’ll make the bombs feel like ankle busters. (PS I learned all my surfer slang here.

Emily’s Favourite Stories from the Interweb

Emily’s Favourite Stories from the Interweb

Podcast Series: Nancy-Queer Money Matters series

It’s easy to feel like we’re screwing up because other people “get money” in a way that we don’t, but remember that not all people face the same financial challenges. When I was a kid, a lot of the models of people “doing money right” were straight cis able-bodied white men with conventional jobs. They were the ones who were “succeeding.” As a queer artist with an anxiety disorder, money was never going to work the same way for me. It would be unfair to hold up my experiences to their metrics.

Take a look at your own financial situation and have patience for the ways that your experience may look different than those traditionally “successful” models that you may have been presented with as a kid. Your money challenges are valid, whoever you are, and sometimes you’re working against systemic barriers that just make it harder.

In this series, Tobin Lowe and Cathy Tu (the hosts of the podcast Nancy) dive deep into the money issues that are unique to queer folks. They talk to a wide range of people in the community and present their stories with thoughtfulness and empathy–financial planners, parents, newlyweds, trans* folk, seniors living in retirement homes. There is a really wonderful mix of diverse voices. Although they are talking about the States, it is still very relevant for those of us not in the US. This series is both engaging and affirming and makes me feel super supported and seen as a queer person.

Podcast: Dear Sugars #69 “The Price of our Dreams”

Chris and I talk a lot about being a “real artist” and about how joe jobs (or survival jobs) are sometimes a necessary tool to make art. I don’t know what makes someone a “real artist.” My anxiety says the qualifier is earning 100% of my income from making art, but when I look at that metric it erodes quickly.

Do I really want to evaluate the worth of my art by how much people pay for it? I know that what people often pay most for is work that maintains cultural status quo. So my answer to that is no. This system of measurement also doesn’t allow for marginalized artists who may have fewer opportunities to make their art. Do I believe that queer, disabled, or artists of colour make less valuable work because they often have fewer opportunities? Hell no. And then there are the scores of great artists who rely on other income avenues. Composer Philip Glass was a plumber/taxi driver. Comedian Ken Jeong was a physician to support his comedy career. Writer Roxane Gay is still a professor at Purdue University. There are tons of reasons that an artist might need a day job that do not make their art any less valid.

In this episode of Dear Sugars, they take a very real look at how to make a life as an artist. Their
radical empathy-based advice is the best. I’ve listened to it several times and still feel challenged and affirmed by it. Warning: you will likely listen and then binge all of their episodes, like I have. Don’t get your heart broken when you discover that they finished making it in 2018.

“Aminatou Sow on Making $300,000 and Sending Money to her Family” by Maggie Bullock for The Cut

I would describe Aminatou Sou as a tech boss/content creator/hustler extraordinaire. She co-hosts the podcast Call Your Girlfriend and co-founded the network Tech LadyMafia, that aims to boost women on the tech-world ladder.

This interview is such a great reminder that as long as your spending is in line with your values, you’re doing it right. Aminatou Sou gives an invigorating perspective on spending. She also offers a much-needed Black female perspective on finance.

“How Tax Brackets Actually Work”

This video blew my mind. I totally get it now! I have heard this explained at least three times before this and just filed it in the “things I don’t get” brain folder. This rocked my world. In a really, really nerdy way. As per the poster in my high school stairwell, knowledge is indeed power. Want to feel slightly better at tax time or impress your parents when you casually drop your understanding of tax brackets? Watch this video.

“How to Successfully Work From Home Without Losing Your Goddamn Mind (Or Your Job) from Bitches Get Riches blog

This post is helpful and also a great introduction to the Bitches Get Riches blog. It’s got all the good things: silly gifs, recognition of ableism in the traditional workforce, and handy handy tips. I’ve been trying to work these tips into my own life. Specifically the one about keeping normal business hours, and it’s making my time feel more boundaried in a great way. The fern has yet to happen.

What’s your favourite? Any that we need to check out this month? Please send recommendations if you’ve got any!

Debt Diaries #2:If You Don’t Have Any Grain, You’re Not Making Any Flour

Debt Diaries #2:If You Don’t Have Any Grain, You’re Not Making Any Flour

Current Debts:

My partner:
$130.00 for picking up my boots from the cobbler
Credit Card: -2,278.96
Overdraft on chequing account: $327.19
Bank Loan: $5,193.48

I like to think of financial literacy as a flour mill…

You pour the grain in the top, and flour comes out the bottom (I think that’s how a flour mill works). I say to myself that becoming more financially savvy isn’t necessarily about finding more grain to put in the top, it’s about improving the machine itself, so that whether you are putting in a small amount of grain or a lot of it, you know the machine is working as efficiently as possible.

I like this metaphor because (despite being oddly agrarian) it counters the trap of “I only need to learn about money when I make money.” See this and other kooky beliefs we artists hold about money HERE.

But recently, I have found the limits of this.

I’m currently hustling butt trying to get enough hours in at a couple new jobs while still keeping my time open and flexible for auditions. It’s meant I have a whole lot of no grain. I’m realizing that even when you have a real slick machine, it looks like “alright, that grain has been processed…” And then you sit there for a million years waiting for more grain to come in. Because if you don’t have any grain, you’re not making any flour, no matter how good you’ve made your machine.

So, onward hustle for me as I try to get enough money to live and also start to pay off debts. Wish me luck!

Artist Debt Diaries #1: Having Debt Doesn’t Make Me Any Less of a Badass

Artist Debt Diaries #1: Having Debt Doesn’t Make Me Any Less of a Badass

I’ve recently taken on some debt. I was on EI for a while, supplementing with my savings. Lemme tell you, trying to live off 60% of your pre-tip server income is not cute. They want you to pay taxes on your tips but are not willing to insure them. Oyyy, don’t get me started. The only way to make it through this period was to use my savings. And woah mama, was it a hard to convince myself to touch that money. But, ya know, eating, so I did.

I decided to use this period to shift to making all my non-acting money in film production. I know I will be doing more directing, so I want to get a better understanding of how the positions work together. I decided to apply for my IATSE permit status. I took the required courses ($$) and submitted my application in November.

I waited to hear back from IATSE and, after waiting a month and a half, was rejected. “Get more experience,” they said. Fair enough.

So I spent the next couple months volunteering my butt off on short films and industrial videos. “Great!” I thought. “Now I know the proper names of all the equipment AND the dirty names. I’m set!” I finish off my savings and decide to take out a loan from the bank. I feel confident about making the minimum monthly payments and I’m eager to push forward with production work. I’m determined not to go back to the serving/childcare/catering hustle.

With a shiny new resume, I reapply. And was rejected again. Alright, okay, alright, okay…So now, I’m out of savings and have taken on a loan from my bank. I had planned to be moving into production daily work by this time, but clearly that’s not going to happen.

SO. Option…what am I on…F? I’m going to get another serving job and hustle my butt off doing odd jobs. I’m going to keep volunteering on films, then reapply to IATSE, then hopefully change all my non-artist work to being in production until the point where I hope I’ll be able to make all my income as an artist. Are there any other artists out there who feel like their employment plan is mega complicated? If x happens, then I’ll do y, which will temporarily pay my rent until option z kicks in, which will tide me over until x1 occurs. I feel like I need a big board with pictures and coloured yarn connecting everything.

At this point, I’m out of savings and living paycheque to paycheque which I haven’t had to do for years. I have debt from a $6,000 bank loan. Oh, and $2,000 on a credit card, which I haven’t mentioned yet. And I’m still planning on finding a serving job…which is exactly what I was trying to avoid.

This is both a super stressful situation (I haven’t had money-related hives in a while-hello, old friends) and an opportunity for me to do this work and share it along the way. A chance for me to do an artist debt diaries. Which is kind of rad.

I’m trying to remind myself that being in debt does not make me (or you) any less of a badass. I took it on with purpose, so I feel good about that. I used the time that it bought me to make my first animated film, write a ton, and apply (and reapply) for IATSE. I have ideas for how I can make income, and even though I know I don’t want to serve, cater, and do child care indefinitely, maybe knowing that I’m using them as a short-term solution will help me maintain a good headspace. I am driven. I have the skills to dig myself out of this. And even though it feels like I’m free falling right now, I know that if I gather my internal resources (how can I make this much money? Can I realistically cut back there?), I will make it through and begin the slow journey of building back up. I am still a badass.

If you’re also on this debt repayment journey as an artist, comment. I’d love to hear where you’re at on this debt crushing journey.

Choosing Between Income and Safety: How Having an Oh Shit! Fund Helped Me Get Out of a Shitty Situation

Choosing Between Income and Safety: How Having an Oh Shit! Fund Helped Me Get Out of a Shitty Situation

Note: Because this story is about male-female gender dynamics, I will be gendering people.

This past Autumn, I was interviewed for a serving position. I liked the restaurant’s food, I thought I liked their ethos, and the price point was such that I expected tips would be good. I’m not new to the rodeo, so when the (male) GM said “do you have any questions for me?” I replied “Yes. As you know it’s coming increasingly to light that the restaurant industry is rife with sexual harassment. I would like to know the steps that you have personally taken to ensure the safety of the women working in your restaurant.” He stuttered and said “uh….we just hire good people…? It never happens here.” I translated in my head: “I do nothing, I pretend it’s not happening.” But I needed an income, so when it was offered to me, I took it.

In the new hire orientation with the HR head, we breezed past the harassment section (“Basically, if you sexually harass anyone, you will be fired.”) I put up my hand and said “Sorry, I feel like we glossed over that section and I think it’s really important. ” She blinked and said “No. We did it.”

I left that meeting with a sense of foreboding

I had previously had a bad experience in a restaurant with a similar policy. When I was assaulted at work, their lawyer perform gymnastics around its simplicity. The case ended with me fired and the man who assaulted me getting a 3-day suspension. As a result, I’m wary when an organization doesn’t place emphasis on a detailed anti-harassment policy.

On one of my first shifts, I observed a young female server assistant lose her shit on a cook because, she confided in me “He’s been at me non stop. Asking me out, he won’t leave me alone.”

It wasn’t only being a woman that made me feel uneasy there. As a queer, I get very uncomfortable with the old-school gender dynamics baked into fine dining service. Women get served first, a man tastes the wine, etcetera. At this new restaurant, our freaking computer system asked us to identify clients not only by their seat number, but also if they were a “lady.” Yikes.

The Final Straw

I then heard from an acquaintance that a manager there had just been fired for date-raping new hires (he had tried to do the same to her) and that the complainants had been required to sign a non-disclosure agreement just to report him to HR. I realized then that when the GM had said to me that harassment “never happen[ed] [t]here,” he had conveniently forgotten that incident, which had occurred only weeks earlier.

I gave my notice right away, with an email detailing suggestions that the organization could implement to bolster their sexual harassment policy and also how make the place more friendly for queers to work in.

Why I was able to leave

Because I had spent the past few years focusing on building a cushion of a few months’ living expenses (and because I was able to get EI from a previous gig), it was possible for me to get out of that restaurant, which would have been bad for my mental health and possibly dangerous.

Absolutely, my many areas of privilege make it easier for me to build a financial cushion—I am white, cis-presenting, straight-passing, born into an upper middle-class family, and my disability is invisible. These privileges have allowed me to get the experience that gives me a long resume. They make it easier for me to get hired, period. And when tips are not pooled, they likely allow me to earn more. There are lots of ways in which it is easier for me to make the money that allows me to set aside an Oh Shit! fund. I recognize that those reading it may not have these same privileges. Also, If you are experiencing poverty, this advice may not be usable in this moment.

But, if you are able to build a safety net, through setting aside a percentage of every cheque—I like this one, because no matter my income, I can choose a percentage that always feels doable—, decreasing expenses, or by taking on extra work, it can not only relieve stress, but also keep you safe, as it did for me in this case. It also allowed me to to choose to side with myself, in a dynamic in which women are so continuously silenced.

An Oh Shit! Fund Can’t Solve systemic problems, but it can get you out of a difficult situation

Right after I worked my last shift, I called my (male) partner and asserted, with exhaustion, how sick I am of having to choose between income and safety. Implicit in my complaint was the appeal “When will I find a job where I don’t have to make this choice?!?!”

To be honest, I don’t know whether a job exists where you don’t have to make this choice to some extent. When men have commented “Wow the entertainment/restaurant industry is full of harassment!” I respond “It’s every industry. These are just the ones being highlighted.” I can’t think of an industry in which I have worked where I didn’t know of harassment occurring to some extent. Even the organizations I have worked in without harassment have been rare. This is a human problem, not an industry problem.

Of course, having an Oh Shit! fund will not solve this. But, this Autumn, when I found myself in a situation in which the danger felt too great, my Oh Shit! fund let me walk away. And that was important.

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