Why Would an Opera Singer want Disability Insurance?

Why Would an Opera Singer want Disability Insurance?

Something weird happened when I started to call myself a financial planner… people assumed that I had all my money shit figured out.

I do not.

And I’d rather not pretend that I do, because that takes away my ability to share the lessons that I’m learning with you…. helping us both learn together.

Take this last week when I finally made some progress on a financial weak point of mine: disability insurance.

 

The problem that requires a solution:

Not having disability insurance is not, in itself, a problem.

It’s just another financial product, but one that was created to help solve a problem that’s a real doozy: what happens if you get injured or so sick that you can’t do your job (or any job)?

What happens if you can’t earn income, but you still need all the things you need now: food, a home, and all that other important stuff?

Well, if it’s only for a few months you might be able to cover it with an emergency fund or a line of credit.

As a variable income earner I have lots of months where I don’t make much income and need to cover it with money I’ve saved.

But what if it’s really bad, and you can’t work for years… or maybe ever again?

That’s a problem that’s very difficult to solve with hard work and a can-do spirit.

 

Enter longterm disability insurance:

That’s what longterm disability insurance is for.

If you have it, and something big happens, they’ll send you cheques for as long as you can’t work.

It probably won’t be as much as you made before, but it’s tax-free money that can be a real lifesaver if everything goes wrong.

Sounds pretty great right?

Then why is no one talking about it?

 

The things I’ve always believed about disability insurance:

As a freelance artist I never thought something like this was available to me.

Honestly, I barely knew it existed until I started studying finance, but even after I did… I believed the rumours that floated around the arts business that we were excluded from this kind of product.

And even if I could qualify for something like it, I was sure it would be prohibitively expensive.

I believed that my best bet was hoping that nothing really bad would ever happen.

And because I’m still young and still feel mostly invincible… that isn’t a really hard thing to do. Serious injury and illness happen to people, but mostly they happen to OTHER PEOPLE.

I also believed that it was silly to even think about protecting my income until I had more income to protect.

Any insurance broker would probably laugh me out of the room.

 

The things I found out about disability insurance:

Sometimes our beliefs come from real stories, and sometimes they’re just based on fear and bullshit.

Yes, it’s hard to qualify for disability insurance when you’re an artist.

Lots of insurance companies have classified us as ‘uninsurable’. Which sucks to hear. They don’t want to put a bet on people who have very little income stability.

No, it’s not impossible.

Lots doesn’t mean all. I’ve found that there is room to get past official policy and have insurance companies consider each individual case. If you can prove that your income has some stability to it, the door to the world of disability insurance could open.

No, it’s not necessarily prohibitively expensive.

What if I told you that you could lock in $1,600 a month in tax free money if you get sick by paying $80 a month?

I’m sure reactions would be mixed.

Maybe some of you feel that’s an insanely high price, and some of you (like me) might see that as an excellent investment in an unsolvable problem.

I could dig into the numbers, but I think the $600,000+ of possible return is less important than realizing the stakes.

Yes, you could end up paying $80 a month until you turn 65 and receiving nothing. I don’t see that as a problem… I see that as an investment in my financial infrastructure. I see the benefits of being able to act knowing that I have something of a safety net if the unthinkable happens.

But it’s still $80, and some people don’t feel they can afford that.

… I’m not sure I can afford not to.

Stay tuned for more thoughts on disability insurance as I learn and navigate it for myself. Tomorrow I’ll talk a little about finding a broker, and what that experience was like.

Emily Nixon

Emily Nixon

Rags to Reasonable Community Outreach Coordinator

Emily Nixon is an actor/writer/director/filmmaking Swiss Army Knife. She is also a big money nerd and Community Outreach Coordinator for Rags to Reasonable.

She came to this work after becoming completely fed up with living paycheque-to-paycheque and being too afraid to look in her chequing account. She is passionate about empowering other artists and variable income earners to keep doing what they love and feel confident about their finances.

Email Emily at emily@ragstoreasonable.com

Want to start getting control of your money? How can I help?

Lessons From The Stage: You Perform What you Rehearse

Lessons From The Stage: You Perform What you Rehearse

For all you performers out there, you know the feeling. It’s opening night and you really want to kill it.

Tonight you’ll raise the bar. Tonight you’ll be the performer that you always knew you could be. You’ll be better than your best.

… the thing is usually you’ll just end up you.

Which isn’t a bad thing, but the more shows I do the more I realize you can’t really expect more out of a performance than what you’ve been practising in the weeks before.

You perform what you rehearse, and it’s the same thing in your financial life.

 

The ridiculous things we hope for our future selves:

Here are a few things that I’ve believed at different points in my life:

I’ll learn how to manage money when I start making money…

I’ll figure out investing when I’ve got extra money lying around….

I’m sure I’ll figure something out if I can’t work for awhile…

Why do we always think that when things get harder that we’re going to become better people. When there are a thousand things to stress about… somehow we’ll find the mental bandwidth to come up with innovative solutions.

The truth is, nothing magical changed when I started making more money. I was the same person doing the same things I was before… and so I just spent it all… without really thinking about it.

It wasn’t until I started to practice better financial habits that I performed better when the chips were down.

 

Working on financial problems BEFORE they happen

This is what the heart of planning is all about, and it’s the reason why I really fell in love with it.

It’s practice.

It’s technique.

It’s staging. It’s rehearsal. It’s thinking about what we want to do when the curtain comes up.

And then we can execute.

Instead of some vague imperative to ‘be better at money’ (ya… I know you’ve made that new years resolution… I have too). You have to figure out what it is you really want to do, and then PRACTISE DOING IT.

If you’re worried about low income months… play around with spending as little as possible for a month, figure out what your floor is.

If you’re worried about the future and how you haven’t saved anything yet… practise saving … even just a little bit can help you form the habit.

REHEARSE.

 

Something to think about this week

What are you waiting for?

I don’t mean that in a confrontational douchey way. I’m honestly curious. What is the thing that you think will really help your financial situation?

Is it more money? Or just getting rid of a debt? Or if you could just land one more gig?

How can you prepare for that future world?

What skills and technique can you practise that would help you use that ‘more money’ better or really leverage that extra gig?

I’m telling you from a lot of experience that you can’t will yourself to immediately change when your financial situation does.

Most of us are just ourselves, with the same habits … both the bad and good ones.

And our performance will seldom be anything more than what we rehearse every day.

Emily Nixon

Emily Nixon

Rags to Reasonable Community Outreach Coordinator

Emily Nixon is an actor/writer/director/filmmaking Swiss Army Knife. She is also a big money nerd and Community Outreach Coordinator for Rags to Reasonable.

She came to this work after becoming completely fed up with living paycheque-to-paycheque and being too afraid to look in her chequing account. She is passionate about empowering other artists and variable income earners to keep doing what they love and feel confident about their finances.

Email Emily at emily@ragstoreasonable.com

Want to start getting control of your money? How can I help?

What Putting on Two Dance Belts Taught Me About Lifestyle Creep….

What Putting on Two Dance Belts Taught Me About Lifestyle Creep….

My life costs a lot more than it used to.

There was a year shortly after I moved to Toronto when my rent was $500 a month, and I mainly ate hamburger and noodles.

Now my rent is … more… and that hamburger had a much happier life (or so my butcher assures me).

It happens to lots of people, but there’s definitely a gap between how much I feel like things have changed, and how much they’ve actually changed.

And I’m left to question whether the growth in my spending is good or bad?

Simply… is it okay to grow? Or is that growth a sign of financial failure?

A hard question, and one that I came face to face with in another, non financial, part of my life as well.

 

You can’t hide from a dance belt

The opera company that I’m working for right now has beautiful costumes. The women have these huge dresses, and the men wear tights.

Really nice tights… but tights.

Something I didn’t know about wearing tights is that you can’t just wear normal underwear underneath them. You also can’t wear nothing at all.

I won’t get into the reasons, but they have to do with physically oversharing with the audience.

So they invented ‘dance belts’.

Wikipedia defines dance belts as“a kind of specialized undergarment commonly worn by male ballet dancers to support their genitals. Most are similar in design to thong underwear.”

Putting on a dance belt also has the added bonus of a wide band around your midriff which makes you very aware of … growth.

It’s not a particularly comfortable piece of clothing, and since I work for this company quite often it’s become a yearly ritual.

Every fall I try on the dance belt and every fall it’s a little bit different.

Not because the dance belt has changed, but because I have.

5 seconds in a dance belt will show you very clearly every cupcake and every evening spent at a desk instead of going to the gym.

It’s a stark window into my own personal ‘lifestyle creep’.

 

Extracting a lesson from a form fitting dancing thong

People expand - both physically and financially.

And sometimes that’s good, and sometimes it’s not.

That’s why the idea of lifestyle creep is a tricky one. The general personal finance take on it is that it’s bad and you have to watch out for it.

And that’s true.

It’s really easy to let your finances expand as you get older without much thought. You start making more money and it just gets eaten up with a slightly nicer car and more dinners out. 

This kind of default spending can leave you wondering where all your money is going, and why you can’t seem to make any progress on big financial goals.

But there are also people who hold themselves to the impossible standard of sticking to spending habits that worked 10 years ago...

...people who see the growth in their spending and feel immense shame. Like every dollar spent is a failure, and they should still be able to scrape by on $800 a month because that’s how it used to work in college.

Sometimes growth is good.

It’s okay to eat better in your 30s than your 20s. It’s okay to invest more in things that make you happy.

The expansion isn’t necessarily the problem.

But don’t let it just happen by default. Be aware of where your costs are growing so you can continually check-in to see if you’re still okay with it.

 

You've got to be okay with your flab (or stop eating cake)

My dance belt didn’t fit as well as it did last October.

But it wasn’t a surprise.

As I squeezed into its embrace I remembered three months of cooking and baking with my partner. I remembered a fair amount of stress eating as I navigated some tricky life situations this summer. And I remembered the hours I chose to spend behind a desk learning a new trade, instead of at the treadmill.

I’m a little softer, but I’m still healthy. I’m still happy.

And right now, this is growth that I’m okay with.

So here’s my challenge for you - I want you to put on a financial dance belt next week. Take half an hour and write down what you think you should be spending, then compare it to your actual spending. Where have you ‘grown’? How do you feel about that growth?

Hopefully it won’t be too painful of an experience, but if it is just remember that 6 out 7 evenings this week I’ll be wearing two literal dance belts and know… it could be worse.

Emily Nixon

Emily Nixon

Rags to Reasonable Community Outreach Coordinator

Emily Nixon is an actor/writer/director/filmmaking Swiss Army Knife. She is also a big money nerd and Community Outreach Coordinator for Rags to Reasonable.

She came to this work after becoming completely fed up with living paycheque-to-paycheque and being too afraid to look in her chequing account. She is passionate about empowering other artists and variable income earners to keep doing what they love and feel confident about their finances.

Email Emily at emily@ragstoreasonable.com

Want to start getting control of your money? How can I help?

How do Mimi and I Manage Our Money?

How do Mimi and I Manage Our Money?

How do Mimi and I co-manage our finances? We recorded a podcast about that very thing.

And here’s a spoiler: We talk about money… a lot.

It's really that simple (and that complicated). 

We have one joint account which we use to fund our LONG DISTANCE RELATIONSHIP fund, but other than that, our finances aren’t combined with accounts or anything physical.

They are combined through a series of conversations about what we’re trying to do, both in the short term and over the long haul.

 

It didn’t always work that way…

Now if that sounds impossible for you, let me share a little story.

When Mimi and I started dating we didn’t talk about money AT ALL. I was incapable of it. Mention money around me and I would find an excuse to leave the room.

But slowly, as I got better with my money, we started working it into our regular conversation .

Of course it didn’t hurt when I started Rags to Reasonable that she edited everything I wrote, so that might not be possible to emulate for everyone.

 

Why talking things out has been so valuable:

It seems like such a small thing, but it’s helped us navigate through lots of potential minefields.

Talking about money has helped us figure out how to split costs when we both are often away for weeks or months at a time.

Talking about money has helped us balance the fact that Mimi makes a lot more money than I do. For those of you that live with a similar financial imbalance you know how tricky that can be (more on that in the video below).

And talking about money has helped us start to combine our financial goals for the future… even when our methods are still quite independent.

It’s always hard be articulate about this, but if you’re interested in learning more… check out the full podcast below.

What do you think? Any tricks that you have for managing your money couple style? We’re always looking for new things to try.

Emily Nixon

Emily Nixon

Rags to Reasonable Community Outreach Coordinator

Emily Nixon is an actor/writer/director/filmmaking Swiss Army Knife. She is also a big money nerd and Community Outreach Coordinator for Rags to Reasonable.

She came to this work after becoming completely fed up with living paycheque-to-paycheque and being too afraid to look in her chequing account. She is passionate about empowering other artists and variable income earners to keep doing what they love and feel confident about their finances.

Email Emily at emily@ragstoreasonable.com

Want to start getting control of your money? How can I help?

What Do You Want: A Family or to Sing With an Orchestra?

What Do You Want: A Family or to Sing With an Orchestra?

To be a full time artist/singer or not. It’s a decision that’s filled with trade-offs. Trade-offs that are really hard to quantify since they vary from situation to situation.

But a lot of the time you hear creative folks phrase it as a really binary choice.

I remember a friend of mine, a wonderful opera singer, put it this way:

“It all comes down to what you want more, to have a family or sing with an orchestra.”

I heard her say that during my undergrad and it really left a mark. For the last 10 years I’ve been carrying around this belief that I was choosing the orchestra and not choosing a family… because I couldn’t have both.

Except that didn’t track.

I met singers who did have families. In fact there’s a proud history of opera babies out there. Their lives might look a little different, but there are definitely models to follow.

Clearly it wasn’t that simple.

 

The beliefs we carry around define what we think is possible

You can’t have a family and be a full time singer.

You can’t be an artist and have a day job.

You can’t be a financially stable freelance artist.

I’ve believed all these things.

If I’m being honest, there’s still part of me that clings to them… no matter how much evidence I build to the contrary.

And if you believe them and that belief has led you to building a life that you’re completely satisfied with… that’s awesome.

But for lots of us these beliefs are limiting.

We look at them as ‘facts of life’ and forget that they are, as the director Alison Moritz says: “the problems we were born to solve.”

 

You’re a rebel… it’s time to rebel

I know singers who travel the world with their kids, and others who have partners that stay home while the other one travels.

I know really interesting artists who don’t make a lick of income from their art.

And I know artists who max our their retirement accounts, have a 6 month emergency fund, and are set to retire right around 65.

People are doing it because they didn’t accept the classically held beliefs in our industry.

It’s crazy that we’ve got a whole business full of people who like to colour outside of the lines, rebels, and yet they accept the confines that have been put upon them.

We don’t have to be different to change everything.

In fact, we need to unleash everything that makes the creative industry great.

 

Diving into the trade-offs

I’m not saying you can have it all.

You can’t.

There will always be sacrifices, but you have more power to set what those sacrifices are.

I’m more and more convinced that the real power comes from being clear on what you want and, more specifically, what you want MOST.

I want a lot of things. It’s not a problem to write down a list.

What is a problem is prioritizing that list … because something has to be first. Something has to get the most energy. Something has to be more important than something else.

And the clearer you can be about what big things are most important for you, the better you’ll be able to decide what trade-offs you’re willing to make.

The better you’ll be able to decide which battles you want to fight.

The better you’ll be able to start redefining those tired old tropes in our business, and start painting your own future.

Emily Nixon

Emily Nixon

Rags to Reasonable Community Outreach Coordinator

Emily Nixon is an actor/writer/director/filmmaking Swiss Army Knife. She is also a big money nerd and Community Outreach Coordinator for Rags to Reasonable.

She came to this work after becoming completely fed up with living paycheque-to-paycheque and being too afraid to look in her chequing account. She is passionate about empowering other artists and variable income earners to keep doing what they love and feel confident about their finances.

Email Emily at emily@ragstoreasonable.com

Want to start getting control of your money? How can I help?

EMAIL ME